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Paul Basinski I'm neither a mad dog nor an Englishman, and yes it has been hotter than blazes in downstate New York this summer. That, and not an abdication of reason, explains why I have swapped out my Cary SLI 80 tube amplifier for the NAD C315BEE integrated. I think one of the transformers in the Cary weighs as much as the little gray NAD in its totality. And retail on the Cary is nearly ten times that over the C315BEE. With that said, I simply could not bring myself to run those massive KT88s all summer long; I swear I could feel the tube set's heat from my listening position ten feet back. (And I don't even want to think about the energy consumption of running the SLI 80 and the additional A/C costs.) Yes friends, I have gone green this summer season of hi fi and I could not be happier.
The C315 is a very pleasant amplifier. I was surprised how little I missed when I put my back out lugging the voluminous Cary upstairs to the spare closet for its summer siesta. Right now I am listening to Marian McPartland's new CD "Twilight World", and you should, too. This amazing jazz pianist was born slightly before the end of World War One! To be ninety and still making vital music is a testament to the human spirit. Listen to the Bill Evan's classic "Blue in Green" through the NAD and the complex modalities of the tune are easily rendered. The little BEE excels at rhythm and pace. As much as I admire, even love, the Cary, it can be a bit sluggish on some of my more complex and upbeat music. Not so with the NAD. The beat it imparts to the music is positively infectious. Makes me reach for that diminutive remote to crank out a few more decibels. Always a good sign. This is definitely a darker sounding, more forgiving amplifier than the tubed Cary which might be a better match for the gear it is likely to be paired with. Discs that are ruthlessly revealed on my tube amp through the Soliloquy speakers have their corners rounded off by the NAD amplifier. I noticed this particularly with some of my less well mastered classical CDs. I have a somewhat brittle sounding - yet beautifully rendered - version of Bach's Harpsichord Concertos by Pinnock and the English Concert Orchestra. With the C315, the harpsichord loses a little of its bite, the "aural tang" as I call it. The orchestra becomes a bit more fulsome than is probably, ultimately, the case. Still, it seems to matter little with the C315. I found I had played all three CDs in the Bach collection one afternoon while I was grading final exams for one of my U.S. Government courses. It surely was not the fractured writing of the students I found engaging; rather, the little NAD that kept me from reaching for the pause button. The ability of this amp to make your listening sessions fly by, and snatch your attention away from the zillion other electronic gadgets in the average home, is powerful indeed.
I did not use the tone controls of the integrated, preferring the purer sounding signal without their intrusion. I also felt that the bass and treble regions were two weaker links. In a brief side by side comparison with the reference (yes, I know, not fair), I easily felt how much I was missing. There is definitely more sterility in the NAD in the frequency extremes. But seriously, consider the price. For the cost of a decent meal for four in Manhattan, you get an amplifier that just chugs along with any sort of music. In over three months, the NAD has been completely reliable, and an absolute pleasure to use. Come the first frost of autumn, I will have a hankering for my tube amp. However, maybe you live in Alaska, and don't need to swap out your gear as I have done. Or perhaps you just like a bargain, or need a unit for a second system. You just might enjoy having the C315 around for a spare audio tire, even with its much lower energy use it still manages to completely warm the soul. Another mini classic from the gang at NAD. Overall Rating: 8 LPs
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